An Evening With Gary Paulsen

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Last night I hd the privilege of attending a library-sponsored “Evening with Gary Paulsen” at the W.K. Kellogg Auditorium in Battle Creek, MI. Known for his Newbery Honor Books, HATCHET, THE WINTER ROOM, AND DOGSONG, at 73-years-old, Gary looks like a cross between Santa Claus and Red Green. Although his hour-long talk was biographical, listening to him was as much fun, and certainly as interesting, as reading a book by him. It isn’t that Gary has led a good and lucky live. Quite the contrary. His real-life adventure demonstrates a fascinating and interesting life of a writer.

Gary grew up in northern Minnesota with both parents drunks. As a kid, he was never a reader. His life changed when he escaped the cold one winter day, by stepping into a library. The librarian asked if he wanted a card. He never had anything with his name on it before, plus, someone took an interest in him.  It took Gary a long time to finish that first book, but when he did, he went back for another, and another. Each book took less time to read. He is the author of over two hundred books. 

At 17, he forged his parents’ signature and joined the army, mostly to get away from his parents. He worked as an engineer on missiles and satellite tracking. In 1963, he was making “two grand” a month, at a time when teachers made two grand a year. He decided one night he wanted to be a writer, got up, turned in his security badge, and quit his job. He wrote a story involving missile guidance systems, forcing the FBI to question him, thinking he was a spy. He was so excited with his first book that he didn’t tell them they misspelled his name for fear they wouldn’t publish it.

He went to Hollywood where he got a job by lying about his writing credentials. He made a penny a letter, which amounted to about $380 per month. He knew he wasn’t a good writer, but there were good writers where he worked. He wrote westerns. Gary approached three of them who agreed to meet with him each week to critique writing, insisting he write a chapter a day during the week, and three chapters over the weekend.

With no money, he left Hollywood, just like he left engineering. He paid $25 per month for a cabin on a Minnesota lake, snaring rabbits for food. He wrote all winter and in spring, he sold two books. He went to New Mexico where he started drinking for the first time in his life, and became “a full-blown alcoholic.” In 1973, he got sober and went back to writing. He signed a 20-book deal with a children’s publisher, but the book club never sent him money for his books. He went from rich to poor, and moved back to Minnesota.

Minnesota passed a law that it was legal to trap animals by dog sled, but not with motorized vehicles. So Gary invested in dogs and a dog sled. This experience changed his life. He didn’t have a lead dog, but he saw a dog lying in the back of a pickup truck, ready to be “put down.” Gary took the dog, fed it two beavers, and the dog, Cookie, survived and because his lead dog. Cookie also saved Gary’s life when he fell through some ice and was sinking in the water like a rock. He grabbed a dangling rope and Cookie pulled him to safety.

Gary heard about the Iditarod in Alaska, and businesses in MN supported him, allowing him to participate. He came in 42nd place on his first race, and was hooked. He wrote the Newbery Honor Book DOGSONG after a young Inuit boy approached him during a race, wanting to see what a dog looked like.

I could only post a few of Gary’s stories here. I could easily have listened to him for hours. Gary Paulsen is a fascinating man with fascinating adventures, and, of course, excellent writing skills.

Writing Conference Expectations

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We’re having our SCBWI-MI fall conference this weekend. I’ve been to over a dozen live writing conferences in different states. I’ve also been co-chair of four of them. I’ve attended on-line writers conferences as well. After all this time and experience, I rather know what to expect. I should rather say, I ought to know by now what to expect. Here’s what I expect for this weekend.

* That I will greet old friends, and make bunches of new ones – all of us gathered by a shared interest and hope.

* That one of these writer friends will tell me: 1) if I put my sweater on tag-side out; or 2) if my shoes don’t match, from getting dressed in the dark; or 3) that before I slip away for a critique, to be sure I remove the spinach dangling from between my teeth or pumpkin smear on my cheek.

* That I remember to bring extra pens in case my favorite one runs out of ink. I also take a water bottle, a watch, and business cards, and sometimes even remember to hand out the cards.

* That I will have one manuscript (possibly more) polished enough to pitch.

* That when I practice my elevator pitches, I mentally delete each “um” and “well, then…” and “ya know?” and remember to keep such phrases deleted when my mouth lays a patch at the intersection of Conversation Street and Nervous Lane.

* That I take cash-only for book purchases v.s. my credit card, which doesn’t light up when I’ve exceeded our monthly food budget.

* That I don’t pass out when I come face-to-face with an editor or agent. First impressions count.

* That I will take away gobs of information for my personal writing craft improvement.

* That after an attending editor or agent asks for a partial or a full, I’ll be business-like-delighted, but not so elated-ecstatic-happy that I’ve forgotten where I parked my car.

Self-Published v.s. Waiting for the Traditional Press

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I had lunch today with a self-published children’s book author who has written and published three picture books, three middle school books, and will have his first young adult book published this December. He already has orders for 1,000 copies of the YA book. He travels throughout the USA, presenting a highly energetic, entertaining, and musically talented school visit.

Anytime we get together (he is a local author), and he happens to read parts of my WIP (whichever I may be working on or wish to share), he is impressed with how well I write. He says I am a much better writer than he. I humbly tend to agree, since I am associated with SCBWI, been in several critique groups through the years, have had numerous critiques with agents and editors, and am constantly improving my craft. Whereas, he tends to write for himself and doesn’t take a critique very well, although he may tend to disagree with that statement.  This author keeps trying to talk me into self-publishing. I keep telling him, “No, thanks.” So what is my hold-up?

1) Fortitude. I want what I write to last beyond my lifetime. I want my stories to be published by others who will continue the story long after I’m dead. Only a traditional publishing house would do that. My friend not only self-publishes, he self-promotes, self-markets, arranges his travel and hotel and meals for school visits, and carts all his books in his van on his tours. Who will do all that for his books when he dies?

2) Editors. I want a professional who is trained in literacy and experienced in what is excellent to look over my writings, to make them the best I (we) can make them.

3) Money. Time and money have always been deciding factors in things which I do. I haven’t got the money to put forth for a self-publishing adventure.

I am glad for my friend. He is happy with what he is doing. As I mentioned, he is highly entertaining, and kids love his visits, and he does encourage children to read and to write. Plus, many literary authors are rather dull speakers. (Rats! I know I’ve just offended thousands of friends. Double-dog-rats!)

Even though he is making a rather good living at what he does, and I am making nothing, I am not willing to follow his path, even if I were given a chunk of start-up money to do so — all for the reasons listed above.  He’d love to see me published. Hello! Me, too. But I’ll remain a hold-out for the traditional press, recession or not, e-books or not, wading through the ever-evolving world of publication.

Here’s to me — to my high hopes of every week becoming a better writer, and of someday becoming a book-published author with an editor in a traditional house.

August Writing Challenge Followup

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YIKES-A-ROONIE! I just realized today that earlier this month, I put out an August Writer’s Challenge of writing 10,000 Raw (first draft) words by September first. How you doing? Surprisingly, I may make that goal. I know I have nearly 10,000 words started on a new YA (young adult) fantasy, but I’m not sure if I’m going to leave in certain bits to make it into a MG (middle grade) story or not, yet. I THINK I wrote nearly all those words this month, but I may have started in July, too. I’ve been a tad bit scatter-brained this summer.

Has this summer been crazy for other people as well? Family, travels, cleaning oil off of turtles… well, maybe everyone hasn’t been doing that last one, but I’d encourage you to help if you can… heat, humidity. There are lots of summer distractions for writers.

So… how have you done on the August writing challenge?

No more excuses. There are still six days left in the month. Get writing, already!

WriteOnCon 2010, part II

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I attended 2 days of the very first WriteOnCon last week, but then had to leave town on Thursday. I look forward to catching up with the third of the conference which I missed. The thing about writers conferences, is that I have attended over a dozen of them… in person. Some of the things the speakers talk about are “old hat” stuff to me.

Here are some things I gleaned from the first two days of the conference:

1) It was fascinating to “listen in” on the thought process of agent Natalie Fisher. She reminded us all that what she mentioned was only her own opinion, and other agents might not feel the same way. It was interesting, and helpful. Learn what the agent to whom you are submitting is looking for.

2) I now have a list of about 100 additional books to read, both about writing, and written for MG/YA. (Oh, the time. The time! How to find the time to do all the reading and writing I want to do!)

3) Stay current! Classics are nice, but some of those loved stories wouldn’t cut it in today’s highly competitive market. Read them. Love them. But write for today’s kids.

4) (related to #3) Kids hate retro. (Thank you, J.S. Lewis.) Don’t write about YOUR childhood, unless it’s a historical novel. Write for today’s kids and about today’s kids.

5) Know what the acceptable word counts are for today’s market. Yes, yes. We each can name several books which break the rules, but unless you are an established author with a great fan following, stick to the rules.

(More to come, both on the first two days, and the third day of WriteOnCon!) (Yeah to the organizers!)

Your Writing Space

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One of the things every writer needs is a designated writing space. It might be den space in your house, or an overstuffed chair, or a certain table at the library or cafe. All the best of the best writers recommend this. It should be a place where you go specifically to write, not to knit or eat or watch tv or check your email or Facebook friends. This is your personal designated writing spot. Writing only!

I don’t have one.

In my defense, I happen to have many. Perhaps it has something to do with the nomad in me. 1) We move into a new house (often a new state) every seven years or so, therefore a specific place in any given house changes from place to place. 2) My husband works about 1/3 of his job at home, in the den, using the computer, during undesignated times; it could be morning, afternoon, or evening. 2) We own a laptop, which I do use, but with the den taken, there is no designated space in which to use it, and no comfortable place to sit or type. Besides, each room of our house is otherwise designated.  3) I follow the sun. In the summer time, the sun comes up from the back of the house. In the summer, I spend a lot of time writing in our three-season room (unless it gets above 90 degrees — no air conditioning out there). In the winter, I set up my writing nest in the guest bedroom, in which the sun enters each morning. I’ve only got leg-space there since the room is mostly filled with the two beds. But the beds serve as both chair and tables on which to spread my notes, etc. But then, the guest bedroom only works until noon, when it becomes wintry dark in there. I consequently move to the breakfast nook off the kitchen, following the sun around our house.

(Stop yawning, please.)

My suggestion to you all is to find your own personal writing space. That’s what all the biggie-bigs say to do. I support their wisdom: Find your own space… that is, unless you have a circumstantial nomadic spirit, like me.

August Writing Challenge Update

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Just to keep you on task, and to encourage you to do the same, I’ve written 3 chapters of my newest story this past week. I had to rewrite chapter two four or five times before I could move on. I’m still not satisfied with it, but feel the information is essential as early on as possible. Oh, where is my editor to tell me what works? But this is totally the first draft, even with several rewrites of one chapter. Only a little over 2,000 words so far. 8,000 to go by the end of August. Push. Push. Can do! You, too?

Today’s Writing Market and the Economy

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Accepted: Stories which only a few years ago would be published, are getting rejected today? Why? The economy and ever-changing writer’s market (i.e., depending on what will sell by public demand).

Accepted: Publishing houses are businesses, not non-profit organizations. An editor at a recent writers conference said this is one of the reasons celebrity-authored books are contracted. They are sure money-makers. They draw in business, and make it possible to fund fledging, not-so-famous writers.

Accepted: Public demand is a hungry beast.

After a time, Sir Arthur Conan Doyle wanted to move on from his famous character — a character based on one of his professors. The public demand for his detective stories at the time was so great, that Doyle thought to rid himself of Holmes by killing him off, and proclaiming that anyone could use the character and do with him whatever they wanted. But the beast demanded more, so Doyle resurrected Sherlock and wrote several more stories with his best-selling character.

Acknowledged: I am a writer. I read. I write. I have studied the craft. I continue to improve my craft. I write, research, or plot every day. As a writer, should I pay attention to the economy, the market, making money for me or others? Or should I pursue my passion without concern? I’m not sure I have a solution. At this writing, I believe that if I want to be published, I must be willing to feed the beast. However, as soon as  state that, I find myself climbing right back up on the castle wall. For whom do I write? For the beast? For me? For someone else entirely?

Manuscript Rejections — The Bottom Line

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I’m friends with Jane Yolen. Gosh. Well, me and a zillion others, on her FaceBook page. Jane commented today about receiving 7 rejections  (yesterday?), with editors commenting on her gorgeous writing, but….

I’m not really being sadistic, but I found this tid-bit of news quite encouraging to pre-book-published me.

She later wrote:
“The people who have been on my site (and my journal) before are not surprised by my rejections. Nor am I. I get them all the time. Got 5 rejections for OWL MOON, 13 for SLEEPING UGLY, both of which have now been in print for well over 20 years. I had 113 rejections for my poetry before I ever sold my first poem.

Dr. Seuss had over 30 rejections for TO THINK THAT I SAW IT ON MULBERRY STREET, his first book; Madeleine L’Engle, when she was already published, got 29 rejections on A WRINKLE IN TIME.

No one is saying you are ugly and smell, your mother dresses you funny, better give up writing (though all those things may be true.) A rejection letter is about the mss. and the perceived market. That’s all. As the don’s men said to the Mafia foot soldier they are about to execute in THE GODFATHER, “it’s just business.”

So (Sandy here, again), the bottom line for writers is:

1) Keep on writing (and, to finish your mss and revise them are givens);

2) Keep developing your craft (style, voice, plotting, etc) to produce page-turning, gorgeous writing;

3) Keep submitting your gorgeous works;

4) Rejections are not always about bad writing. In this present economy, it’s more about marketing. So, when you receive those rejections, eat some chocolate, cry if it feels good, run a marathon or two, and then get right back to #1 — Keep on writing.