End of Year Writing and Marketing

2017 was busy; hence, my long silence on my blog. Two of my books were published this year: THE POWDER HORN OF MACKINAC ISLAND (MG time travel, published in March) and WAR UNICORN (upper MG fantasy re-published in October through Books We Love Publishing). Both books need reviews, if you’re so inclined, since reviews on Amazon are like golden nuggets to a book.

I took a sabbatical this year from my War Unicorn series (I’m now working on the third book) to write what has turned into my memoirs. Hopefully, it will come out before Christmas. Yes, I’m talking Christmas of this year! It has the shockingly long title of THE ROAD LESS-TRAVELED OFTEN INVOLVES SMACKING FACE-FIRST THROUGH SPIDER WEBS (subtitle: A Life of Animal Encounters). It includes wild boar, bear, moose, otter, cattle, ticks, snakes, hawks, and bees, to name a few…and me, of course…and often my family. The book is 50K (50,000 words). That’s a lot of animal encounters!

Each of these books require a different marketing plan, different bookstores to contact, online sites, blog hops, ways to promote, etc. I am so foolish, and would never, ever recommend another author to do so. Why, oh, why didn’t I stick to just one genre and age group of readers? Why?

My end of the year writing and marketing tip: Stick to one genre and age group of readers and keep on writing.

Competent Businesswoman v.s.Fool

There are many times in this writing and publishing business I feel like a competent businesswoman. After all, I write and publish, started my own company, created my own social media platform, and do my own taxes – none of which I ever dreamed I was capable of doing myself, say, even ten years ago. So here I am, tooling away, feeling good and competent, and then one tired morning when I’m far from my mental best, I morph from competent businesswoman to fool.

PayPal is a lovely way of making and receiving transactions. So on that tired morning a couple weeks ago, when I received an email from PayPal that someone has made unauthorized use of my account, I clicked the link. (Note: Competent Businesswoman would have hit the spam button followed with a “Ha!”.) Consequently, after I’d typed in my password and answered two security questions, I still could not get  into my account. Why? Because I was a fool! I’d just given away my PW and security answers to a hacker-spammer.

Just today I had an email of an automatic payment from my PayPal account made to Photobucket for a couple hundred dollars. At least I wasn’t fool enough this time to click the “cancel form” button. I don’t think any money changed hands.

Ah, where is that Competent Businesswoman who will sort this all out in an hour or two?

Warning to all writers: be competent and sure of yourself!

Reason #4 for Self-Publishing — A Vision

The fourth reason (although not in any particular order) which I list for self-publishing is that about fifteen years ago I had a vision — not a goal, not a dream, but a vision, a reality so vivid that it woke me right up from my sleep. This is what happened:

After I’d died, my grandson in his 20’s found my floppy disks and went to a “working museum” to look at them on an antique computer. He discovered hundreds of my stories on them, from picture books through adult novels, nonfiction articles to retold folk tales. My grandson reworked some of the stories, revise them, if you will. He then published them under both his name and mine.

I woke, feeling very peaceful. The pressure to be published was gone.

At the time of this vision, my own children were in high school, so there were no grandchildren in sight. What it did was free me from the fear of not being heard. Someday, I knew, my grandson would read my stories. My imagination and dreams and storytelling would be passed on, at least to him.

I have no grandson to date, but I still have lots of stories, many of them revised and rewritten many times over.

So, reason #4 for self-publishing — not only do you readers get an opportunity to share some of my stories, but they are sitting there, waiting for a like-minded descendant to pick one up and say, “Hmm. This is good. I can make it even better.”

Queen of the Story Starters

Someone once asked me if I have another book in the works. I nearly choked on room air. How about another twenty-five in the works? And, yes, those are twenty-five completed rough drafts I’ve started but never got back to to complete. Most of those rough drafts have seen many revisions or even rewrites over the years, but I would not be willing to send them to an agent or publisher or even self-publish them because when I stand back and take a serious look, they just don’t make the cut. For each of those stories, I would want to deeply re-think and then deeply re-revise before I’d pursue publication in any form.

Actually, twenty-five drafted novels isn’t really much to brag about for queenship. So why am I bold enough to take up the crown? It’s those thousands of story ideas which I’ve started with a chapter, a page, or even just a very cool title or thought. I love writing. I love letting my fingers fly over the keyboard. I love taking pen in hand and more thoughtfully writethings out in script. I could probably have easily a hundred ideas in a day if I allowed myself to be mind-blank, or rather mind-open, and were to write them all down. (Hmm. Is this a sign of ADD? I’ve never been diagnosed. But I digress.) But in order to complete a story, i.e., ready it for publication, I need to focus on that story and that story alone.

I have two major writing goals. One is to produce a well-written finished product. Two is to keep ideas freely flowing. The first writing goal is for others. The second writing goal is for me, and allow for my own creativity.

I am a visual learner. I can stare at a photo or picture for a long time and get lost in it, the artist, the lives of the characters, the feel of the breeze on my cheek in a still room. I get antsy going into art museums because there is so much in each piece. I could easily be that odd person who sits on a bench in front of something which snags my fancy and look as though I am comatose as I totally get lost in my thoughts stirred by what I see frozen before me. Lives unfold. Every detail has history and feelings. I have a large print in my house of a relative from the 1700’s going to a prison. There are dozens of people in the print. I could write a story about each and every one of those people.

Here is my gift to you today: a story starter from a photo I took. Happy writing.

JPS on Bench 03

Self-Published v.s. Waiting for the Traditional Press

 Literature Blogs

I had lunch today with a self-published children’s book author who has written and published three picture books, three middle school books, and will have his first young adult book published this December. He already has orders for 1,000 copies of the YA book. He travels throughout the USA, presenting a highly energetic, entertaining, and musically talented school visit.

Anytime we get together (he is a local author), and he happens to read parts of my WIP (whichever I may be working on or wish to share), he is impressed with how well I write. He says I am a much better writer than he. I humbly tend to agree, since I am associated with SCBWI, been in several critique groups through the years, have had numerous critiques with agents and editors, and am constantly improving my craft. Whereas, he tends to write for himself and doesn’t take a critique very well, although he may tend to disagree with that statement.  This author keeps trying to talk me into self-publishing. I keep telling him, “No, thanks.” So what is my hold-up?

1) Fortitude. I want what I write to last beyond my lifetime. I want my stories to be published by others who will continue the story long after I’m dead. Only a traditional publishing house would do that. My friend not only self-publishes, he self-promotes, self-markets, arranges his travel and hotel and meals for school visits, and carts all his books in his van on his tours. Who will do all that for his books when he dies?

2) Editors. I want a professional who is trained in literacy and experienced in what is excellent to look over my writings, to make them the best I (we) can make them.

3) Money. Time and money have always been deciding factors in things which I do. I haven’t got the money to put forth for a self-publishing adventure.

I am glad for my friend. He is happy with what he is doing. As I mentioned, he is highly entertaining, and kids love his visits, and he does encourage children to read and to write. Plus, many literary authors are rather dull speakers. (Rats! I know I’ve just offended thousands of friends. Double-dog-rats!)

Even though he is making a rather good living at what he does, and I am making nothing, I am not willing to follow his path, even if I were given a chunk of start-up money to do so — all for the reasons listed above.  He’d love to see me published. Hello! Me, too. But I’ll remain a hold-out for the traditional press, recession or not, e-books or not, wading through the ever-evolving world of publication.

Here’s to me — to my high hopes of every week becoming a better writer, and of someday becoming a book-published author with an editor in a traditional house.

Today’s Writing Market and the Economy

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Accepted: Stories which only a few years ago would be published, are getting rejected today? Why? The economy and ever-changing writer’s market (i.e., depending on what will sell by public demand).

Accepted: Publishing houses are businesses, not non-profit organizations. An editor at a recent writers conference said this is one of the reasons celebrity-authored books are contracted. They are sure money-makers. They draw in business, and make it possible to fund fledging, not-so-famous writers.

Accepted: Public demand is a hungry beast.

After a time, Sir Arthur Conan Doyle wanted to move on from his famous character — a character based on one of his professors. The public demand for his detective stories at the time was so great, that Doyle thought to rid himself of Holmes by killing him off, and proclaiming that anyone could use the character and do with him whatever they wanted. But the beast demanded more, so Doyle resurrected Sherlock and wrote several more stories with his best-selling character.

Acknowledged: I am a writer. I read. I write. I have studied the craft. I continue to improve my craft. I write, research, or plot every day. As a writer, should I pay attention to the economy, the market, making money for me or others? Or should I pursue my passion without concern? I’m not sure I have a solution. At this writing, I believe that if I want to be published, I must be willing to feed the beast. However, as soon as  state that, I find myself climbing right back up on the castle wall. For whom do I write? For the beast? For me? For someone else entirely?

Manuscript Rejections — The Bottom Line

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I’m friends with Jane Yolen. Gosh. Well, me and a zillion others, on her FaceBook page. Jane commented today about receiving 7 rejections  (yesterday?), with editors commenting on her gorgeous writing, but….

I’m not really being sadistic, but I found this tid-bit of news quite encouraging to pre-book-published me.

She later wrote:
“The people who have been on my site (and my journal) before are not surprised by my rejections. Nor am I. I get them all the time. Got 5 rejections for OWL MOON, 13 for SLEEPING UGLY, both of which have now been in print for well over 20 years. I had 113 rejections for my poetry before I ever sold my first poem.

Dr. Seuss had over 30 rejections for TO THINK THAT I SAW IT ON MULBERRY STREET, his first book; Madeleine L’Engle, when she was already published, got 29 rejections on A WRINKLE IN TIME.

No one is saying you are ugly and smell, your mother dresses you funny, better give up writing (though all those things may be true.) A rejection letter is about the mss. and the perceived market. That’s all. As the don’s men said to the Mafia foot soldier they are about to execute in THE GODFATHER, “it’s just business.”

So (Sandy here, again), the bottom line for writers is:

1) Keep on writing (and, to finish your mss and revise them are givens);

2) Keep developing your craft (style, voice, plotting, etc) to produce page-turning, gorgeous writing;

3) Keep submitting your gorgeous works;

4) Rejections are not always about bad writing. In this present economy, it’s more about marketing. So, when you receive those rejections, eat some chocolate, cry if it feels good, run a marathon or two, and then get right back to #1 — Keep on writing.

School Visits and the JOB of being a writer

 Literature Blogs

A writer friend of mine — Ruth McNally Barshaw — was in my town last week, doing five school visits. Of COURSE, I had to both meet up with her and sit in on one of her school talks. I was not disappointed. I never expected I would be.

Ruth’s story is interesting. She sketched in journals all her life, but it wasn’t until she went to the SCBWI NY conference (sketching the whole way on the train and back), did an agent approach her and tell her about the new genre called graphic novels. Ruth found both her nitch and her dream job, and she’s good at it, too.

My former career was as an elementary teacher. I’ve sat through hundreds of school assemblies or special events. Some were awesome; some were utter flops.  I know what works and what doesn’t. I know how to be flexible and change things mid-stream (although there is always THE PLAN to rely back upon). After seeing Ruth in action last week, I made a startling discovery: I want to have that job. I want to write stories for kids, then travel around from school to school encouraging children to write (and read).

Oh. Wait. That’s what I’ve been trying to do for a while now. Ah. It’s all about the confirmation. Someday…

March Writing Submission Goal

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Today I revisited my March Writing Goals to realize I hadn’t submitted anything for this month yet. Actually, since I’ve been in revision mode, I’ve only subbed 3 ms over the past year. So today I dug out my old flash drive and opened 3 PB stories I knew I had ready to go. I intended merely to print them out and zip those babies out… as in,  getting them in the postal or emaild today. Then I read them, each of them. Did you hear my forehead ka-thunk onto my keyboard? First in embarrassment at such poor writing, then in realization that I had hours to go before any one of them would be submission-ready. I know they are good story ideas, but anyone can come up with good story ideas. The good news in this stinky process is that my writing craft must be improving — right? — if I am able to recognize need of improvement all by my lonesome. Although, there are some days when I wish I had an editor like Hemingway did, and only have to write about 2/3 of any story.

For now, I think I’ll focus on a couple of my other writing goals for this month — like my write three raw/new chapters by the end of the month (got one done), or like my thinking up 10 things I’m thankful for each of 10 days without repeating anything. Then there is my Personal April Challenge to tackle the whole-novel critiques from my critique group and rewrite that little baby, too. Maybe I’ll have things ready by May to get back out there into the slush piles.

Now, wouldn’t you agree that the writing life is never dull?

Simplicity, Complexity, My Life

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This past week I heard a sermon on spiritual disciplines. One of the suggested spiritual disciplines was simplicity. (Oh, ouchie, ouchie, ouchie. <– Picture me dancing barefoot along a line of red-hot coals.)

However did my life become so complicated? There was a time, driving three states away to my first teaching job, when I’d packed all my earthly possessions into my little Pinto.  Today, my husband and I agree that the only reason we don’t get divorced is the threat that whoever files for it, has to take all the stuff we’ve accumulated over 30+ years. (Well… maybe that’s not the ONLY reason, but whatever works.)

So how does all this relate to writing? The whole point of the simplicity section of the sermon was that with simplicity comes focus. (Oh, ouchie, ouchie, ouchie.) Simplicity is more than just throwing out that second lawn mower in the garage which no longer works. It is more than letting go of a time-sucking commitment. It is more than being able to work on eight different manuscripts “at the same time.”  It is a lifestyle.

Focus.

A writing acquaintance posted on a listserv how she’s finished writing and publishing 500 manuscripts. Yeah and congratulations — seriously.

I wonder, though, if I were to die tomorrow (or today), which of my “500” unpublished manuscripts will ever catch anyone’s eye and make an impact?  (BTW, I have published about 150 magazine and newspaper articles, and have received positive reader comments. So perhaps it’s possible that I can make mini-impacts.)

A poll has shown that in every income bracket, people want to be on the average, 20% richer than they are. If they get 20% richer than they were, they may be happy for a while, but it is short-lived, as they then want to be 20% richer. I can relate that to publication, too. I will always want to be 20% more published.

Paul Goble was once asked at a library presentation I attended, what was the favorite of all his books. His answer: “Always the one I’m working on.” Brilliant. Simple. Focus.

Now… to go shred more of those checks from the 1980’s. Not to worry. I’ll throw them into my compost pile, then spread the further broken down checks around my flowers and veggies, then let their nourishment float up through the plant roots. Then I’ll eat them! Sounds complicatedly simple, right?

(Maybe I just need more sleep.)