I have just finished receiving my first group whole novel critique. The five others in my on-line critique group spent the past month reading and critiquing a novel they’d never seen before. This last week we’ve been discussing what everyone wrote about it.
The process: I submitted the whole novel on line, with an author-list of questions in four categories: 1) beginning and ending of book; 2) characters; 3) plot; and 4) theme. After three weeks, I received their responses, then compiled a new set of 7 or so questions stimulated from their comments. Now that I have those second responses back, I need to think how to proceed (in other words, comes the nitty-gritty bit of rewriting and revision).
In my past, I’ve had individuals read whole novels of mine. If editors or agents comment, they usually come back with just a line or two (e.g., “too quiet a story line for me”). Other writers’ comments vary in length, usually 1-2 pages of printed naration. What I found so fascinating about this group process, was that I had five different people in 4 different states and 1 other country, giving their thoughts on how to make it a better story. If one or two of them didn’t like something or was confused by some part or character, I could TOT it (take it or toss it). But if all 5 of them felt some part was needy, I would certainly see it as something needing to revise or rewrite.
One person in our critique group has revised one of her novels 17 times. She says it was a good story in the beginning, but now she really likes it. I don’t keep track of the number of times I rewrite or revise, since I often do it by chapters or scenes. I’d only do whole novel look through right before sending it out to an editor or agent. This time, I hope to do things differently before the professional submission.
I’ve compiled a list of things I need to address (e.g., the relationship between father and son). I plan on taking one of each of the things which need fixin’, and go through the entire story focusing on just that one concern. When I am done with that revision, I’ll move on to the next one and go through the entire story with only that concern in mind, and so on. THEN, I’ll do a whole book look to see how much I’ve messed things up or fixed things up.
Man! When I made up stories for my friends in junior high, it was never this hard.
Great tips on revision. Sounds like you have a great critique group.
Thanks. And, yeah, our critique group has grown, changed, twisted, morphed through the years, but the neat thing is that we are each constantly learning new things… and then sharing them with the group.